Tag Archives: adivasi

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Buy directly from us with Instamojo

Exciting things are happening at adivaani, and as we reach the 5 year mark, we’re happy to share an upgrade to the way we operate. We’ve finally been able to enable a direct online purchase from our website using a safe and tested payment gateway option—Instamojo.

 

 

If you are going to purchase online, we’d encourage you to do so directly from us. Our overseas readers can also use this platform to acquire our books.

We’re asking for our buyers to bear the shipping charges and hope you won’t mind that.

Our books are still available at the bookstores that have kept us in circulation all these years as well as the usual online portals. Do keep up with our activities on our website and social media. And should you need to contact us directly, please email, phone or drop in.

Thank you for supporting adivaani all these years and cheer us on as we move into yet another year of cultural documentation and dissemination work.

 

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Another India: an exhibition and a book

The exhibition Another India: Explorations and Expressions of Indigenous South Asia, opened on the 7 March 2017 and will continue until April 2018 at the Museum of Archaeology and Anthropology (MAA), Cambridge University.

Curated by Dr. Mark Elliot, this exhibition “explores the tangled histories of artefacts from indigenous populations in India and how they came to be in the collections in Cambridge.”

The assemblage being exhibited is a combination of artefacts, paintings and photographs from MAA’s collection, many of which have never been exhibited before, and artworks by contemporary artists from the Indigenous and Adivasi communities represented.

We’re happy to announce that the catalogue from the ongoing exhibition—which is a remarkable account of the objects, the people who made them and who collected them and their complex legacies, is now available for sale at adivaani’s regular distribution channels.

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The year that’s been

2016 has been the most engaging year for us by far; so much so that we weren’t able to reach out to you regularly. Our sincerest apologies for that!

January opened with the news that I was selected as Asia Foundation Development Fellow 2016—an opportunity that has been such an enriching experience, where I have been able to explore new geographical terrain, test my capabilities and hone my skills.

January also had adivaani travelling to the Jaipur Literature Festival, where I spoke at three sessions (one at the Jaipur Book Mark) engaging new audience with Adivasi literature and those who produce it.

In March adivaani in collaboration with Dr. Mark Elliott, Senior Curator for Anthropology, Museum of Archaeology & Anthropology, University of Cambridge organised a workshop with Adivasi sculptors and artisans in preparation for an exhibition in 2017; where the participating artists could respond to the existing collection from 19th century Adivasi India and contribute with their own artworks.

All along we were working on four books. The first was Jacinta Kerketta’s bi-lingual (Hindi-English) poetry book Angor and its German version Glüt; which were released in May, first in Ranchi and then in Germany. I had the opportunity to speak on Santali Literature at the annual India Literature Forum, Germany before heading on a cross-country tour along with Jacinta, presenting both books at events at universities, bookstores and cultural hubs.

In September, Ngaire Gardner’s book Illustrated Pursuits: W. S. Sherwill in India 1834–1861 was published; a collection of drawings, published articles and maps by Walter Stanhope Sherwill, who spent a total twenty-seven years in India as Revenue Surveyor.

Gardner is the great-great-granddaughter of Sherwill and when she proposed the book to us, we knew little of Sherwill except that the iconic drawing of Sidhu Murmu in jail, one of the brothers famous for leading the Santal Rebellion 1855–57, was in all probability drawn by him. That and his other works showcased my people and their locales from a hundred and fifty years ago and that was incentive enough to produce that book.

Then the first week of October had us gather at Gangpur College of Social Work-Sundargarh, Odisha for the Second National Congress (Jatra) organised by the Tribal Intellectual Collective India and several co-hosts (including adivaani). We launched volume 3 of the Tribal and Adivasi Studies Series—Social Work in India, edited by bodhi s. r.

This year adivaani also got its 12AA (tax exemptions certificate) and 80G (50% tax exemption for donors from India) consolidating it’s legal status as a non-profit.

As the year comes to a close, we are only grateful for the year that’s been. We appreciate everyone who has stood by us, sustained us and celebrated every milestone big and small with us.

As we step into the New Year, we look forward to another eventful year and we hope you’d share this journey with us. More books and more projects are in the pipeline for 2017.

We have had a year long running online fundraising campaign that flows into next year as well. Do mark your support on Generosity or contact us for a domestic donation.

We thank you for your solidarity, always.

 

Best wishes,

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Legal Status

adivaani was registered as a Trust with the Additional Registrar of Assurances in Kolkata, West Bengal on July 19, 2012. Our Registration number is 4326.
adivaani is registered u/s 12AA (1)(b)(i) of the Income Tax Act 1961, and has the following tax exemptions:~ Approval under section 80G (5)(iv) of the Income Tax Act,1961 (50% exemption).

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Adivaani and Tribal Intellectual Collective India’s second book is out!

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Adivaani and the Tribal Intellectual Collective India is proud to present its second title from the Tribal and Adivasi Studies series—Social Work in India, Edited by bodhi s. r.

bodhi. s. r sums up the book for us: ‘This specific volume of the TAS series attempts to unravel key constitutive elements of perspectives from within in Tribal and Adivasi Studies. This being a subject area not sufficiently explored by scholars and whose myriad questions remain definitively unanswered to this day, both in academia and within progressive activist scholarship. Evidences to assert and augment propositions related to unraveling this distinct methodological position have been sourced from a practice discipline–social work. Discursive in nature and drawing extensively from the experiences of those who have directly engaged in critical and strategic practice in Tribal/Adivasi empowerment, this volume; also an act in epistemological reconstruction, envisages asserting and achieving greater depth and clarity of the said perspective in the identified subject domain’.

We released the book at the Second National Congress in Bihaband, Orissa on 6th October 2016 at the inaugural session of the three-day jatra.

Here are some snapshots from the book release, the congress and the tribal and adivasi students, scholars and postgraduate students who attended the event.

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Illustrated Pursuits: Why we chose to do the book?

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Illustrated Pursuits by Ngaire Gardner

 

Almost two years ago adivaani received the proposal for Illustrated Pursuits: a collection of drawings, published articles and maps by Walter Stanhope Sherwill, who spent a total twenty-seven years in India since he first arrived as a young man in 1834 to work for the British East India Company. He served as an ensign, Assistant Revenue Surveyor, Revenue Surveyor of what was then known as the Bengal Presidency. He held positions of Lieutenant; Captain—a position he held until 1859 when he became Major Sherwill. On his retirement in 1861 he was given the title Honourable Lieutenant Colonel.

When Ngaire Gardner, the author, a retired school teacher who taught History of Art, Classical Studies, Visual Arts, Design and Photography and also great-great-granddaughter of Sherwill contacted us; we knew little of Sherwill except that the iconic drawing of Sidhu Murmu in jail, one of the brothers famous for leading the Santal Rebellion 1855-57, was in all probability drawn by him.

‘Hot Wells and Springs in the bed and on the banks of the Bum Buklesir Nullah – Zillah Beerbhoom’; W. S. Sherwill, 1851; Indian ink on paper; © Dunedin Public Art Gallery; 40.8 x 27 cm.

That image has been in circulation and used by Santals and Adivasis for years now to represent and assert our identity rights and self-determination.

What are the odds that an Adivasi publisher comes in contact with Sherwill’s descendant and has access to more material that serves as the only window to the life and times of our people over a century and half ago. Well, it happened and Illustrated Pursuits came to life.

‘The Great Tree embedded Gun, at Moorshedabad’; W. S. Sherwill, 1850; Indian ink on paper; © Dunedin Public Art Gallery; 41 x 27 cm.

Sherwill’s “Notes Upon a Tour of the Rajmahal Hills” (1851) and “Notes Upon a Tour of the Sikkim Himilayahs” (1852), both published in the Journal of the Asiatic Society of Bengal and included in this book, give us a glimpse of the tribal people and their customs in those regions. Actually, Sherwill’s work does reflect British colonial positions and this book will help us engage with those thought patterns and approaches.

We did not want to pass up the prospect of having this historical material, curated in one place and made available to the descendants of Sidhu and Kanhu Murmu and the others who have been represented in Sherwill’s drawing.

Ngaire Gardner sums up the intention of the book: ‘the consequences of British colonial attitudes to the land, resources and indigenous population of India continue to reverberate today and readers will inevitably bring their own perspectives to Sherwill’s images and words. My aim has been to share the material he has left behind and to allow readers to form their own opinions of his legacy’ .

Ngaire Gardner

Ngaire Gardner

The book, from our imprint ONE of US, is now available for you to read. Go ahead and grab your copy.

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Jacinta Kerketta’s first poetry book: Angor

Angor

Our authors and readers make adivaani what it is…they are the fuel and passion that keeps our work going.

As proud as we are to announce our first poetry book; the poet and her brilliance far surpass everything we stand for.

Do join us at the launch of Jacinta Kerketta’s first collection of bi-lingual poems in Hindi and English: Angor on Friday, the 20th of May, 2016 in Ranchi, Jharkhand.

Jacinta’s Angor–meaning Ember in the local Adivasi dialect–has been translated into German, Glut (Hindi-German) in collaboration with Draupadi-Verlag and Jacinta and Ruby will embark on a tour to Germany soon after, promoting both books.

We invite you to come over and interact with Jacinta and hear her recite some of her poems.

Venue: Dr. Camil Bulcke Hall,

St. Xavier’s College. Purulia Road

Time: 15:30 hrs.

Hope to see you all there.